1
00:00:25,358 --> 00:00:27,326
Come see your mask in action.

2
00:01:00,794 --> 00:01:04,594
I'd like to read you
something I wrote.

3
00:01:07,434 --> 00:01:11,996
"Isolation in a chamber that must be
sealed off from the outside world

4
00:01:12,138 --> 00:01:15,301
because it's full

5
00:01:15,508 --> 00:01:17,203
of deadly gas...

6
00:01:17,944 --> 00:01:20,344
a chamber in which...

7
00:01:21,648 --> 00:01:25,709
one must wear a mask
to survive...

8
00:01:27,620 --> 00:01:32,557
strongly evokes the conditions
under which modern man lives."

9
00:01:32,725 --> 00:01:34,852
I don't want to design
any more of these.

10
00:01:35,028 --> 00:01:37,929
"One cannot reflect
on this mythical one-dimensional man

11
00:01:38,131 --> 00:01:41,464
without analyzing

12
00:01:41,634 --> 00:01:45,661
all the characteristics
of our industrial society.

13
00:01:48,441 --> 00:01:53,071
Nevertheless, a well-drawn metaphor
could be very informative

14
00:01:53,246 --> 00:01:58,149
and shed light on certain
far-reaching consequences

15
00:01:58,351 --> 00:02:00,876
that are never
explicitly addressed.

16
00:02:01,521 --> 00:02:06,185
For example, doesn't knowing
that one must wear a mask

17
00:02:06,526 --> 00:02:09,791
create a sense of anxiety?

18
00:02:10,897 --> 00:02:15,630
Internalizing these obsessive,
hallucinatory needs

19
00:02:15,802 --> 00:02:19,238
leads not to
an adaptation to reality

20
00:02:19,539 --> 00:02:24,806
but to mimicry and standardization,
the elimination of individuality.

21
00:02:26,613 --> 00:02:31,016
The individual transfers
the outside world to the interior.

22
00:02:33,620 --> 00:02:36,020
There is
an immediate identification

23
00:02:36,222 --> 00:02:40,625
among individuals in society
as a single entity.

24
00:02:41,227 --> 00:02:44,526
One's needs for physical survival

25
00:02:44,731 --> 00:02:48,565
are met by industrial production,

26
00:02:48,735 --> 00:02:51,727
which, in addition, sets forth
as equally necessary

27
00:02:52,238 --> 00:02:56,937
the need to relax,
to enjoy oneself...

28
00:02:58,878 --> 00:03:04,077
to behave and consume
according to advertising models

29
00:03:04,317 --> 00:03:08,777
that render in explicit detail
desires anyone may experience.

30
00:03:10,223 --> 00:03:14,216
Film, radio, television,

31
00:03:14,427 --> 00:03:16,987
the press, advertising,

32
00:03:17,197 --> 00:03:18,994
and all other facets

33
00:03:19,199 --> 00:03:20,996
of industrial production

34
00:03:21,201 --> 00:03:25,103
are no longer directed
at different goals."

35
00:03:26,406 --> 00:03:29,000
No, this sentence isn't clear.

36
00:03:30,510 --> 00:03:32,842
"Film" comma,

37
00:03:33,346 --> 00:03:35,507
"radio" comma -

38
00:03:37,717 --> 00:03:39,150
Sorry.

39
00:03:41,554 --> 00:03:44,318
I watched these.
They're very entertaining.

40
00:03:44,524 --> 00:03:46,253
I'll watch them tonight.

41
00:03:56,336 --> 00:03:59,430
"Under these conditions
of uniformity,

42
00:03:59,973 --> 00:04:03,875
the old sense of alienation
is no longer possible.

43
00:04:04,811 --> 00:04:09,271
When individuals identify
with a life-style imposed from without

44
00:04:09,482 --> 00:04:12,974
and through it experience
gratification and satisfaction,

45
00:04:13,519 --> 00:04:18,786
their alienation is subsumed
by their own alienated existence."

46
00:04:18,992 --> 00:04:21,085
Just some notes.

47
00:04:47,654 --> 00:04:50,452
DILLINGER IS DEAD

48
00:07:38,524 --> 00:07:40,287
Something wrong?

49
00:07:49,001 --> 00:07:50,628
I have a little headache.

50
00:07:55,408 --> 00:08:01,142
<i>When I see other couples</i>
<i>in a warm embrace</i>

51
00:08:02,582 --> 00:08:05,949
<i>While the sun makes off</i>

52
00:08:06,152 --> 00:08:08,586
<i>With another day</i>

53
00:08:10,456 --> 00:08:15,450
<i>Red sky</i>

54
00:08:15,661 --> 00:08:19,392
<i>Where are you going</i>

55
00:08:19,799 --> 00:08:25,499
<i>Stay and maybe I too</i>

56
00:08:26,572 --> 00:08:30,668
<i>Will find love</i>

57
00:08:36,816 --> 00:08:39,751
I'm hungry.
I'm going down to eat.

58
00:08:48,094 --> 00:08:50,085
What can I do for you?

59
00:08:50,730 --> 00:08:52,925
Thanks. Bye.

60
00:12:24,310 --> 00:12:27,837
<i>- Which would you choose?</i>
<i>- This one or this other one.</i>

61
00:12:28,013 --> 00:12:30,004
<i>This one's nice too.</i>

62
00:12:30,149 --> 00:12:32,811
<i>Thanks. Now let's join</i>
<i>the others downstairs.</i>

63
00:12:45,131 --> 00:12:47,531
<i>- What's your name?</i>
<i>- Anna.</i>

64
00:12:47,733 --> 00:12:50,759
<i>Tell me, do you wear lipstick?</i>

65
00:12:51,137 --> 00:12:54,937
<i>No, I don't care for it,</i>
<i>and my mother wouldn't approve.</i>

66
00:12:55,174 --> 00:12:57,972
<i>Maybe next year.</i>
<i>- I wear it.</i>

67
00:12:58,144 --> 00:13:00,908
<i>- You do? What's your name?</i>
<i>- Lalla.</i>

68
00:13:01,080 --> 00:13:03,207
<i>You wear lipstick</i>
<i>and what else?</i>

69
00:13:03,582 --> 00:13:08,212
<i>Eye shadow, false eyelashes,</i>
<i>eyeliner- everything.</i>

70
00:13:08,420 --> 00:13:11,821
<i>- When do you wear all this?</i>
<i>- When my mother goes out.</i>

71
00:13:11,991 --> 00:13:14,824
<i>I call my friends,</i>
<i>and we stand at the window.</i>

72
00:13:14,994 --> 00:13:17,189
<i>- Why the window?</i>
<i>- So people can see us.</i>

73
00:13:17,429 --> 00:13:18,828
Little girl.

74
00:13:22,701 --> 00:13:26,797
<i>You haven't spoken yet.</i>
<i>What's your name?</i>

75
00:13:27,706 --> 00:13:31,403
<i>- Sheila.</i>
<i>- Do you wear lipstick already?</i>

76
00:13:31,544 --> 00:13:34,104
<i>No, but I will</i>
<i>when I'm grown up.</i>

77
00:13:34,313 --> 00:13:36,645
<i>- Good. How old are you?</i>
<i>- Twelve.</i>

78
00:13:36,816 --> 00:13:39,808
<i>You look older than 12.</i>

79
00:13:40,019 --> 00:13:41,452
<i>I know. I'm very tall.</i>

80
00:13:41,654 --> 00:13:43,315
<i>- How tall?</i>
<i>- I don't know.</i>

81
00:13:43,522 --> 00:13:46,548
<i>Is your mother happy</i>
<i>with you wearing nylons?</i>

82
00:13:46,759 --> 00:13:51,025
<i>No. At first she was upset,</i>
<i>but I wore them anyway,</i>

83
00:13:51,163 --> 00:13:53,529
<i>and she stopped</i>
<i>saying anything.</i>

84
00:13:54,366 --> 00:13:56,266
<i>Do you wear miniskirts?</i>

85
00:13:56,435 --> 00:13:58,562
<i>Not miniskirts,</i>
<i>but short skirts.</i>

86
00:14:00,706 --> 00:14:04,767
<i>Here today</i>
<i>Tomorrow where will I be</i>

87
00:14:08,681 --> 00:14:12,515
<i>Here and there</i>
<i>I love freedom</i>

88
00:14:16,889 --> 00:14:20,916
<i>And no one's going</i>
<i>to take it away from me</i>

89
00:14:23,729 --> 00:14:27,392
<i>For a while</i>

90
00:14:28,200 --> 00:14:30,191
<i>You understood</i>

91
00:14:32,905 --> 00:14:36,500
<i>And I stayed at your side</i>

92
00:14:39,645 --> 00:14:42,136
<i>But now</i>

93
00:14:44,250 --> 00:14:46,548
<i>You've taken me</i>
<i>all for yourself</i>

94
00:14:48,921 --> 00:14:53,017
<i>And soon</i>
<i>I won't be able to breathe</i>

95
00:14:56,929 --> 00:15:00,387
<i>Here and there</i>
<i>I love freedom</i>

96
00:15:04,770 --> 00:15:08,763
<i>And no one's going</i>
<i>to take it away from me</i>

97
00:15:11,677 --> 00:15:15,272
<i>Here today, gone tomorrow</i>

98
00:15:15,981 --> 00:15:18,211
<i>That's how I like to live</i>

99
00:15:20,686 --> 00:15:23,985
<i>Never putting on the brakes</i>

100
00:15:28,627 --> 00:15:29,889
<i>Here and there</i>

101
00:15:30,095 --> 00:15:32,325
<i>I love freedom</i>

102
00:15:36,535 --> 00:15:39,834
<i>And no one's going</i>
<i>to take it away from me</i>

103
00:17:15,968 --> 00:17:22,305
<i>I recorded your voice</i>
<i>on two tape recorders</i>

104
00:17:22,708 --> 00:17:25,768
<i>That play continuously</i>

105
00:17:25,978 --> 00:17:29,004
<i>So that your voice</i>

106
00:17:29,381 --> 00:17:35,286
<i>So that your voice</i>
<i>is always here</i>

107
00:20:54,653 --> 00:21:01,991
PUBLIC ENEMY NO. 1 GUNNED DOWN
OUTSIDE MOVIE THEATER

108
00:22:53,338 --> 00:22:55,932
- Good evening, sir.
- Good evening.

109
00:23:02,981 --> 00:23:04,972
Hand me the celery, please.

110
00:23:36,915 --> 00:23:38,109
I'm so thirsty!

111
00:23:38,350 --> 00:23:41,444
I'll hang on to the bottle.
I had some salted cod.

112
00:23:41,720 --> 00:23:43,449
Good night.

113
00:31:01,292 --> 00:31:03,192
What are you looking for?

114
00:31:05,730 --> 00:31:07,630
A nail file.

115
00:31:15,106 --> 00:31:17,438
Why don't you come to bed?

116
00:31:27,552 --> 00:31:30,020
Bring me
the sleeping pills, please.

117
00:32:05,390 --> 00:32:06,982
Give me two.

118
00:32:08,026 --> 00:32:09,721
I want to sleep.

119
00:32:12,397 --> 00:32:13,989
A glass of water

120
00:32:14,899 --> 00:32:17,026
and the hot water bottle, please.

121
00:32:59,544 --> 00:33:00,977
Good night.

122
00:33:05,616 --> 00:33:07,311
Kiss.

123
00:34:54,859 --> 00:34:56,827
You're the handsomest of all.

124
00:35:07,572 --> 00:35:09,096
Just a moment.

125
00:35:14,779 --> 00:35:17,509
Excuse me, Sabina.
Do you have a nail file?

126
00:35:17,682 --> 00:35:19,309
Over there.

127
00:37:51,502 --> 00:37:52,992
Yes?

128
00:37:55,306 --> 00:37:56,603
Who?

129
00:37:58,809 --> 00:38:00,242
Just a moment.

130
00:38:08,653 --> 00:38:10,177
Sabina.

131
00:38:11,489 --> 00:38:13,047
Telephone.

132
00:38:14,859 --> 00:38:16,690
At this time of night?

133
00:38:17,061 --> 00:38:18,653
I'm coming.

134
00:38:31,676 --> 00:38:33,109
Sorry.

135
00:38:34,779 --> 00:38:36,178
Yes?

136
00:38:57,301 --> 00:38:59,132
It was fate.

137
00:39:00,071 --> 00:39:01,936
I can't talk now.

138
00:39:07,244 --> 00:39:09,041
It was fate.

139
00:39:09,180 --> 00:39:11,671
<i>His legend lives on</i>
<i>in everyone's heart.</i>

140
00:39:11,982 --> 00:39:14,177
<i>Our very own Fausto Coppi...</i>

141
00:39:14,385 --> 00:39:16,853
<i>There was no ascent</i>
<i>that could tire him,</i>

142
00:39:16,987 --> 00:39:19,956
<i>no dizzying descent</i>
<i>that could unnerve him,</i>

143
00:39:20,157 --> 00:39:22,557
<i>no finish line</i>
<i>he couldn't reach first.</i>

144
00:39:23,661 --> 00:39:25,253
It was fate.

145
00:39:36,307 --> 00:39:39,071
<i>There won't be</i>
<i>another athlete like him</i>

146
00:39:39,276 --> 00:39:40,766
<i>for a long time...</i>

147
00:39:42,980 --> 00:39:44,709
It was fate, of course.

148
00:39:44,882 --> 00:39:48,318
<i>Ours is an "overground" filmmaker,</i>
<i>the filmmaker of space,</i>

149
00:39:48,486 --> 00:39:52,081
<i>or, borrowing the title</i>
<i>of his recent 70mm film,</i>

150
00:39:52,289 --> 00:39:54,484
<i>the "satellite" filmmaker.</i>

151
00:39:54,825 --> 00:39:59,194
<i>If I had to choose one image</i>
<i>to define his films, it would be this...</i>

152
00:40:03,234 --> 00:40:07,637
<i>the young girl with the soft lips</i>
<i>and searching eyes.</i>

153
00:40:08,939 --> 00:40:12,306
<i>It's a short film</i>
<i>consisting of one long shot</i>

154
00:40:12,443 --> 00:40:14,604
<i>that probes the face and body</i>

155
00:40:14,812 --> 00:40:17,610
<i>of a wild, fascinating</i>
<i>young girl.</i>

156
00:40:18,749 --> 00:40:23,209
<i>At first the filmmaker is driven...</i>

157
00:40:23,421 --> 00:40:24,820
Behave yourself!

158
00:40:25,022 --> 00:40:26,819
<i>... by a Godardian fascination</i>

159
00:40:26,957 --> 00:40:29,357
<i>with woman's natural ambiguity</i>

160
00:40:29,560 --> 00:40:32,552
<i>and the magic</i>
<i>of cinematic images.</i>

161
00:40:33,631 --> 00:40:37,727
<i>But then he rebels</i>
<i>and begins altering his perfect image.</i>

162
00:40:37,935 --> 00:40:41,268
<i>He cuts it up,</i>
<i>turns it inside out,</i>

163
00:40:41,439 --> 00:40:43,634
<i>takes it apart, burns it...</i>

164
00:40:44,542 --> 00:40:47,136
<i>insults it, negates it.</i>

165
00:40:48,279 --> 00:40:52,238
<i>We're forced</i>
<i>by this physiological process,</i>

166
00:40:52,383 --> 00:40:54,647
<i>this "cinemato-physiological" process,</i>

167
00:40:54,852 --> 00:40:58,344
<i>to become aware of what is "us"</i>

168
00:40:58,556 --> 00:41:00,524
<i>and what is "other."</i>

169
00:41:03,194 --> 00:41:05,992
It was fate - period.

170
00:41:19,410 --> 00:41:22,208
- Calling this late...
- Take these things away.

171
00:41:29,253 --> 00:41:31,244
I'm sorry.

172
00:47:24,908 --> 00:47:27,001
Go away! Go away!

173
00:47:28,212 --> 00:47:30,703
Don't film me
while I'm playing!

174
00:53:44,821 --> 00:53:47,551
Don't get mad. Calm down.

175
01:03:19,796 --> 01:03:22,230
<i>You don't understand anything!</i>

176
01:03:23,299 --> 01:03:25,893
<i>Cut it out</i>
<i>with that damned camera!</i>

177
01:03:26,903 --> 01:03:29,428
<i>You're a monster,</i>
<i>that's what you are!</i>

178
01:03:29,705 --> 01:03:33,038
<i>You don't understand anything</i>
<i>and never have!</i>

179
01:03:34,610 --> 01:03:37,841
<i>You can't get inside my brain</i>
<i>with your zoom lens!</i>

180
01:03:38,815 --> 01:03:42,012
<i>Leave me alone! I hate you!</i>

181
01:03:43,119 --> 01:03:44,245
<i>Go away!</i>

182
01:05:43,940 --> 01:05:45,407
Anita.

183
01:06:41,030 --> 01:06:42,998
Where do you want to go?

184
01:06:44,300 --> 01:06:45,494
Oops-a-daisy!

185
01:12:09,692 --> 01:12:11,216
Who's this?

186
01:12:12,094 --> 01:12:13,789
The Virgin as a baby.

187
01:12:29,011 --> 01:12:30,501
Move over.

188
01:12:48,230 --> 01:12:50,664
Why do you find me sexy?

189
01:13:19,294 --> 01:13:21,387
This bed's small.

190
01:13:33,909 --> 01:13:35,308
Tell me...

191
01:13:37,012 --> 01:13:38,843
do you like honey?

192
01:13:41,850 --> 01:13:44,512
- What?
- Honey - like you eat.

193
01:13:48,724 --> 01:13:50,715
Get it. It's in the closet.

194
01:13:58,734 --> 01:14:00,895
Scared that war will break out?

195
01:15:27,089 --> 01:15:28,579
Come on.

196
01:15:29,992 --> 01:15:31,391
Come here.

197
01:15:35,497 --> 01:15:38,694
Please, I'm very tired.

198
01:15:45,307 --> 01:15:47,298
Don't tickle me.

199
01:30:57,585 --> 01:31:02,522
Brave and strong Hermes,
who left your father's fields

200
01:31:02,723 --> 01:31:05,283
to make the sea your home,
we will miss you.

201
01:31:14,001 --> 01:31:18,631
Above all, you were a good man.

202
01:31:20,007 --> 01:31:24,307
Rest in peace, amen.
Lower him into the sea.

203
01:31:41,629 --> 01:31:44,029
- Who died?
- The cook.

204
01:31:44,765 --> 01:31:46,323
Let's go, boys.

205
01:31:47,835 --> 01:31:50,963
- Excuse me.
- Ceremony's over. Let's go.

206
01:31:56,244 --> 01:31:59,771
- I'd like to ask you something.
- I'm just the boatswain.

207
01:31:59,947 --> 01:32:02,313
- Don't you need a cook now?
- Of course.

208
01:32:02,517 --> 01:32:05,179
I'm an excellent cook.

209
01:32:06,320 --> 01:32:07,912
Ah, this air!

210
01:32:08,523 --> 01:32:11,185
The sea's always been my dream.

211
01:32:14,295 --> 01:32:17,093
I'd like to sail.
- It's not up to me.

212
01:32:17,231 --> 01:32:21,099
The captain gives the orders,
but the young lady's the boss.

213
01:32:21,235 --> 01:32:23,499
Then why don't we ask her?

214
01:32:27,909 --> 01:32:30,707
She's walking away.
Why don't we ask her?

215
01:32:31,312 --> 01:32:34,543
Try me out.
My cooking's very healthy.

216
01:32:34,715 --> 01:32:36,410
I don't doubt it.

217
01:32:37,218 --> 01:32:41,211
Okay, we'll try, but no guarantees.
I'll take you to her.

218
01:32:48,329 --> 01:32:50,024
Excuse me, miss.

219
01:32:50,431 --> 01:32:53,229
He says he's a cook.
Shall we try him out?

220
01:33:06,681 --> 01:33:09,206
Have him make
a chocolate mousse.

221
01:33:09,417 --> 01:33:12,011
Thank you very much.

222
01:33:12,587 --> 01:33:14,282
Let's go to the galley.

223
01:33:17,091 --> 01:33:19,821
- I was lucky.
- She obviously likes you.

224
01:33:19,994 --> 01:33:22,690
- Where's this ship headed?
- Tahiti.

225
01:33:23,297 --> 01:33:25,094
I can't believe it...